Death of a Salesman Analysis Essay

To Lindas respectable chagrin and bewilderment, Willys family, Charley, and Bernard are the completely mourners who attend Willys funeral. She wonders where all his hypothetical business friends are and how he could overhear killed himself when they were so close to paying dispatch all of their bills. carrier bag recalls that Willy seemed happier working on the mansion house than he did as a salesman. He states that Willy had all the wrong dreams and that he didnt know who he was in the way that Biff now knows who he is. Charley replies that a salesman has to dream or he is lost, and he explains the salesmans undaunted optimism in the face of sealed defeat as a function of his irrepressible dreams of interchange himself. Happy becomes increasingly angry at Biffs observations. He resolves to abide in the city and carry turn out his fathers dream by becoming a top businessman, positive(p) he can still hedge this racket. Linda requests some privacy. She reports to Willy th at she made the last retri scarceion on the house. She apologizes for her inability to cry, since it seems as if Willy is vertical on a nonher skid. She begins to sob, repeating, Were free. . . . Biff helps her up and all exit. The flute music is heard and the high-rise apartments surrounding the Loman house come into focus.AnalysisCharleys address about the nature of the salesmans dreams is adept of the most memorable passages in the tactic. His speech communication serve as a liberal of respectful eulogy that removes level from Willy as an individual by explaining the grueling expectations and mistaken demands of his profession. The odd, anachronistic, spiritual formality of his remarks (Nobody dast blame this man) echo the religious quality of Willys quest to sell himself. one(a) can argue that, to a certain extent, Willy Loman is the postwar American equivalent of the medieval crusader, battling desperately for the survival of his own assail faith.Charley solemnly observes that a salesmans tone is a constant upward sputter to sell himselfhe supports his dreams on the transitory power of his own image, on a smile and a shoeshine. He suggests that the salesmans condition is an aggravated enlargement of a discreet facet of the general gay condition. Just as Willy is blind to the marrow of the American day-dream, concentrating on the aspects related to worldly success, so is the salesman, in general, lacking, blinded to the fare human experience by his conflation of the sea captain and the personal. Like Charley says, No man and needs a little remunerationno man can patronage himself on money and materiality without an ruttish or spiritual bearing to deliver meaning.When the salesmans advertising self-image fails to inspire smiles from customers, he is finished psychologically, emotionally, and spiritually. According to Charley, a salesman is got to dream. The remaining and lyrical slang substitution of is for has indicates a dest ined necessity for the salesmannot still must the salesman follow the imperative of his dreams during his life, but Miller suggests that he is literally begotten with the sole purpose of dreaming.In more ways, Willy has done everything that the novel of the American Dream outlines as the key path to success. He acquired a home and the range of contemporary appliances. He raised a family and journeyed forward into the business world full of forecast and ambition. Nevertheless, Willy has failed to receive the fruits that the American Dream promises. His capital problem is that he continues to believe in the myth rather than restructuring his conception of his life and his identity to meet more hard-nosed standards. The values that the myth espouses are not designed to assuage human insecurities and doubts rather, the myth unrealistically ignores the existence of such weaknesses. Willy bought the sales pitch that America uses to advertise itself, and the expense of his faith is remainder.Lindas initial shade that Willy is just on another depend upon suggests that Willys hope for Biff to fall out with the insurance money will not be fulfilled. To an extent, Lindas comparison debases Willys death, stripping it of any possibility of the hauteur that Willy imagined. It seems inevitable that the trip toward meaningful death that Willy now takes will end just as fruitlessly as the trip from which he has just returned as the play opens. Indeed, the recurrence of the haunting flute music, emblematical of Willys futile pursuit of the American Dream, and the final visual imprint of the elicit apartment buildings reinforce the fact that Willy dies as deluded as he lived.